March, 2017

The Nightly Show

Before ITV launched The Nightly Show into the 10:00pm weekday slot I said that we should avoid comparisons with US late evening talk shows since contrary to popular belief, it’s not trying to be one, and we should hold off looking at the ratings until it had settled into something a bit firmer.

This kind of show will never hit the ground running. There will be teething problems and the show will have to learn what kind of beast it actually is. It’s completely naive to expect that it will come to our screens fully formed no matter how much piloting there had been prior to launch.

I’m not going to claim to have watched every episode thus far, indeed I’ve only watched a handful. But I think that now we’re a few weeks in, we can get a more reasonable handle on what it should and shouldn’t be doing.

The initial round of criticism came as much as anything from ITV’s choice of first guest host – David Walliams. It really shouldn’t have come as a shock that his humour is broad and a little rude. Had nobody seen Little Britain? He was never going to be making incisive political humour at the expense of Donald Trump or Brexit. Instead we had lots of pre-recorded bits where he dressed up as women, as well as some slightly underwhelming interviews. Martin Clunes is a nice guy, but they really needed a bigger name to launch the show. The problem with Walliams is that he’s not all that interested in having a talk with a guest. Instead, he’s always looking for the next gag.

That was completely different in week two, when John Bishop took over. He’s got more experience in this area having already recorded a series of long-form interviews for W, and is recording some more for a second series. His week saw him carry out a more conversational style presentation with interviewees including Roger Daltrey and Martin Kemp. These interviews ran on a bit longer too.

In Walliams’ final Friday show, he’d had Bishop on as a guest (this would become a regular thing, as hosts passed on the baton – literally a microphone unlike any the show actually used), and when Bishop listed his upcoming guests for the new run of his W show, it seemed to be a slightly more inspiring list than guests he had lined up for The Nightly Show the following week!

Actually, the whole piece was very meta with a tacit acknowledgement that week one hadn’t worked and Bishop being ever-so-slightly barbed in his criticism of the show.

Incidentally, at time of writing, that video has less than 2,500 views. On the show’s YouTube channel, many of the videos have only scraped into four figures. Only some clips featuring boxers seem to have found any traction.

A top tip to whoever’s running the show’s YouTube channel is to include some kind of description along with the video – one video simply has the word “amazing” in the description.

Another intriguingly says “Ant and Dec get a taste of their own medici,” while seemingly having nothing to do with the dynastic Florentine banking family.

I’d guess that not properly including descriptions really won’t help people to find the videos from a Google search.

The third week saw Davina McCall take over the reins, and there seemed to instantly be a return to week one, with a pointless 60 second quiz that David Walliams had tried in his first episode (it didn’t work then, and it didn’t work now), as well as lighter guest interviews that elicited little to nothing from guests Boy George and Vicky McClure in the first show.

There is no shame in a daily show like this burning through ideas. You try something; it doesn’t work; you move on. If something does work, then great, you can bring it back another time.

In a recent Radio Today Podcast, Danny Baker mentioned, somewhat in passing when talking about the Sausage Sandwich Game on his Five Live Saturday morning show, that Chris Evans would create fairly solid “bits” each week on TFI Friday, that would then get flung away permanently in place of whatever else floated his boat the following week. He was burning through ideas on a weekly show. For a daily show, you really need to keep delivering new ideas at a rate of knots.

The only difference otherwise I could see was the addition of an Ellen-style DJ booth to the set, although the DJ seemed mostly interested in displaying his Beats headphones than doing much in the way of DJ-ing.

By the end of the week, the show seemed to have become some kind of dating show, perhaps recalling Streetmate, Davina’s breakthrough show from the late nineties, with overly produced segments of first dates and dating stories. Mel C was a guest, but Davina was barely interested in the answers to her list of questions, and Mel had been much more entertaining earlier in the week on Alan Davies’ show over on Dave.

And simply reading unfunny gags from an AutoCue does not make for a monologue.

I admit that I was tiring by week four, when Dermot O’Leary came on. He’s a safe pair of hands, but this was light entertainment writ small. He had a pianist on for no obvious reason, and was just a bit average.

Wednesday saw a terrorist attack in Westminster, and ITV dropped the show in favour of the news starting earlier at 10pm. Running pre-news on the day of a tragedy is always going to be tricky, and over on Dave, they didn’t show Matt Forde’s show either that night (even though it had been recorded the previous day).

At this point you have to wonder how successful the show is commercially. Aside from the Amazon Echo sponsorship credits, I saw barely any actual ads in the centre break. And the audience figures have not been great, being heavily reliant on hits like Broadchurch to get anything vaguely half-decent.

In my first piece, I said that we should be careful making comparison with American shows, and I tend to be in agreement with Richard Osman who explained quite clearly on Radio 4’s Media Show that he didn’t think this was an attempt by ITV to replicate that kind of show, whatever everyone’s preconceptions are.

He said that he wouldn’t be presenting because it wasn’t that kind of show. It’s an ITV show and it’s on in peak, so in effect it’s an extension of the kind of shows ITV runs on Saturday nights. Indeed Kevin Lygo, ITV’s Director of Television, said himself in his Guardian interview:

“This is a sort of LWT version of ITV. It’s loud entertainment, high-quality drama, and fun.”

In essence, this is Saturday night ITV stripped across the week.

If you’re actually looking for something a bit more ascerbic – more John Oliver than David Walliams – then you should really have been looking at Dave on Wednesday nights, where the aforementioned Unspun with Matt Forde has been running. It’s overtly political, seemingly modelling itself on The Daily Show with “correspondents” and has the traditional band that many US talk shows have. Although MP4 includes three serving and one former MP, always left me wondering how they’re always available for studio recordings, until the week when the SNP’s Pete Wishart was late to the recording due to Parliamentary business.

What next for The Nightly Show? Well they have a few more weeks to go, with upcoming presenters including Gordon Ramsey, Bradley Walsh and Jason Manford (so one woman in seven announced presenters).

I think they do need to settle on a permanent host. Having someone different come in each week to mould a show around is just unnecessarily hard at a time when the overall show’s tone is still finding its feet. Being a guest host on something firmly established, like Have I Got News For You, is much easier. There’s less of a learning curve, since the guest host knows what’s expected of them. Even then HIGNFY regularly returns to the same guest hosts each series.

The Nightly Show desperately needs that stability, as otherwise it’ll veer around week after week.

I think they probably need a larger roster of writers too. You’re going to burn through material at quite a rate on a show like this – at least you are if you’re not going to let mediocre material make it to air. That means a large writers’ room with people vying to get material into each night’s show.

That also means that you won’t end up burning out your writers, while at the same time, it keeps the quality threshold high. With all the attendant criticism, it must be really hard to be a writer on that show and not doubt what you’re doing. It also probably means they take the safe option all the time, and that’s not what that show needs right now.

And I’d also suggest that if you’re picking someone, theoretically randomly, from the audience, it does seem strange that they’re sitting in a camera-friendly place, and they’re already mic-ed up.

There is a tendency too in UK TV criticism to want to see a show fail. I don’t mean a big drama. If SS-GB doesn’t hit everyone’s critical buttons then never mind. There’ll be another Sunday night drama along in a minute.

The critical column inches about The Nightly Show have not really stopped since the show began. And I realise that I’m contributing to them in my own small way. Of course part of that is brought on by the show’s format itself. Each week a new presenter means that there’s an excuse for a new critical appraisal. Is this week’s presenter better than last week’s? Remove that obstacle and the show can settle down a bit.

I suspect that News at Ten Thirty will stay in that position. Although ratings have been hit since the move, a stronger offering in the 10pm slot could help. I’m not convinced that’s 90 minute dramas incidentally. I would imagine that they’re incredibly hard to sell internationally for one thing. And they also demand a lot more from the viewer. But a few edgier sitcoms, and a panel show or two might work there. Shorten “Play to the Whistle” for example (60 minute panel shows are always overlong); move Harry Hill to that slot; actually try something a bit more political.

There is definitely room for some incisive satirical TV, and we really don’t have it on British TV. There’s Have I Got News For You, and that’s basically it. BBC Two has just announced The Mash Report (a working title) with Nish Kumar, which is indeed coming from The Daily Mash. Certainly this will be something to look out for.

The Lost City of Z

I first heard about Percy Fawcett back in the late eighties when a friend told me about him. We’d both read Redmond O’Hanlon’s Into the Heart of Borneo detailing his trip with James Fenton, and I think that In Trouble Again, in which O’Hanlon heads into Amazonia, had just come out. Indeed extracts may have been published in Granta which I certainly read at the time.

Fawcett, as described to me by my friend, sounded like a remarkable chap, spending years exploring the jungle, coming across all manner of travails, from dangerous beasts both great and small, to wild local Indian tribes and an inhospitable terrain.

I made a mental note to track down the book he’d written, Exploration Fawcett, and a few years later I came across a copy published in the Century Traveller imprint with an introduction by Robin Hanbury-Tenison. But the book looked like it may be heavy going, and despite my interest, it was always on my, “I must get around to reading that…” list.

In 2009 I heard about David Grann’s book, The Lost City of Z, seeing him interviewed by Jon Stewart on The Daily Show. While it’s clear that there has been much literature – indeed an entire industry – about Fawcett over the years, this was perhaps the most mainstream title to date. I picked up a copy.

But I still wanted to read Fawcett’s own book (actually edited by his son Brian) first. So Gann’s title too joined the book pile.

In due course I heard that James Gray was making a film of the book. From time to time you’d hear a little more about it until finally its release was imminent. And so, nearly thirty years after I’d first heard about Fawcett, I read Exploration Fawcett.

It’s a fascinating story detailing briefly Fawcett’s early life in Ceylon (Sri Lanka) and Ireland as a British Army officer, before he was chosen to carry out some work for the Royal Geographical Society, delineating the borders of Bolivia and Brazil. At the time there was a “gold rush” in rubber production deep in the forests of the Amazon, and knowing which country you were in was suddenly important.

Fawcett’s book begins with some detailed stories he’d picked up over the years, relating to stories that the first Europeans heard about mystical cities of gold. Although the book then leaves these behind, it’s always clear that they remain in the background of Fawcett’s thoughts, as his ideas about the Amazon’s native tribes change into something less Victorian. They are not necessarily “savages”.

Fawcett went on a number of expeditions over a period of nearly 20 years, funding them in different ways, and Exploration Fawcett has a useful map (curiously, neither Gann’s book, nor the film including any maps, which is a shame because they’re really helpful). It’s clear that this part of the world was a real wild west in those early years of the twentieth century, with all sorts of individuals and groups making a fortune from the “black gold” that was rubber. This was the money that ended up building a remarkable opera house in Manaus, the Brazilian city within the Amazon rainforest. Marble was transported from Italy and the building of it must have been a gargantuan task. In due course, rubber trees were grown in Asia, and the bottom dropped out of the market, meaning an end to the rubber economy deep in the inhospitable Amazon.

It is always remarkable that no matter how deep into the jungle, Fawcett was always running into random Europeans who were trading in rubber or otherwise just existing in this remote part of the world. Eveyln Waugh would pick on precisely this, for his novel A Handful of Dust, his protagonist Tony Last becoming a virtual prisoner of Mr Todd, deep in the jungle, where he’s forced to read Dickens novels out loud!

Waugh aside, Fawcett would have quite an impact on popular culture of the time. He knew Conan Doyle, and claims with some justification that The Lost World was based on some plateaus that Fawcett had himself reported seeing. He also knew H Rider Haggard, author of the Quartermain and She novels.

The outbreak of World War I meant that Fawcett had to return to Britain, and onwards to France where he served with bravery throughout the war. Notably he was there are the Somme where so many lost their lives. Like so many others, the war left him a changed man.

Now money for expeditions was harder to come by, and Fawcett felt almost imprisoned living back in Britain. He would eventually move his family to Jamaica, while he returned to Brazil to raise more funds.

Finally, he raised money in the US from a consortium of newspapers and a Rockefeller, allowing him to return to the jungle for the expedition he really wanted to do – and find the city he had named only “Z”.

David Gann’s book essentially retells the story that Fawcett’s younger son Brian had previously edited together in Exploration Fawcett, but adds lots of colour and context. In particular, Fawcett could be very damning of people he didn’t get on with, and Gann is able to fill out those parts of the story. I’m not even sure that Fawcett mentioned his wife by name in his book, while a particularly despised person is simply called the “botanist.”

There’s also the wider picture of what else was happening at the time. In 1911, the American Hiram Bingham discovered (or at least was shown) Machu Picchu, proving that there were indeed still undiscovered cities in South America. And another American, Alexander Rice, was able to lead enormously well funded expeditions into the Amazon, taking shortwave radios and even a plane with him. While Fawcett might not have approved of those methods, taking vast numbers into the rainforest, sometimes leading to massive losses of life, he was probably a bit jealous too.

“Amateur” explorers like Fawcett were slowly becoming a thing of the past, as professionals with anthropologists and archaeologists becoming more important.

Reading Fawcett’s own account, you couldn’t help thinking of his wife, at home bringing up his children, and not seeing her husband for years at a time. Gann tells us that she did a lot of marketing for him, keeping his fame alive.

Which all brings us to the film of The Lost City of Z.

While Gann’s book is retelling of Fawcett’s life, it also details Gann’s own trip to the Amazon. But the film is very much a period dramatisation of his life, with Charlie Hunnam as Fawcett. We open in Ireland where Fawcett is generally frustrated at life in the army, at a time when “getting on” was still very dependent upon your family. Sienna Miller plays Nina, his wife, with his first child already on the scene.

He wins a position mapping the Bolivian/Brazilian border and brings with him across the Atlantic, a man he has recruited via a newspaper advertisement – Henry Costin (Robert Pattinson). They travel to South America, and begin their surveying work amidst a beautiful landscape, Colombia doubling as the various Amazonian jungles.

Guided by some jungle finds, and stories he’s told, Fawcett begins to develop his theory of a civilisation that was far more advanced, and much less primitive than was widely thought at the time. His party is always small, and the jungle vicious with men dying along the way.

Writer and director James Foley does not present a glamourous Amazonian adventure – you can feel the sweat, the heat, and and most of all, the insects. There are perils to be had everywhere, although while everyone else was suffering, Fawcett seems to have had a fairly charmed existence, never coming down with anything major.

The film details three of his expeditions, although in reality there were seven. But there is only so much that you can fit into a two hour film. Foley does take liberties with the story, Costin becoming a constant companion when in fact, different people travelled with Fawcett at different times.

For story purposes, it’s perhaps understandable that Raleigh Rimell, best friend of Fawcett’s son Jack, was excluded from the story, but I think it’s an omission too far. Only three of them went on that final expedition, and while the father/son relationship is one of the arcs of the film, it’s over-simplification, and Rimell should have been included.

There’s a great turn by Angus Macfadyen as James Murray – the “botanist.” He almost causes catastrophe when he refuses to do as Fawcett says, and becomes a serious drain on resources.

And the standout sequence, is that in which Fawcett’s party come under fire from the arrows of an Amazonian tribe, with Fawcett refusing to return fire with their guns – instead using an accordion as part of his peace process! This is all as he recorded it in his book.

While overall I thought the film told the story superbly, sometimes it felt to me that for filmic purposes exaggeration had to be made. The relationship of Fawcett with, in particular, his oldest son Jack never quite rang true to me in the film. And while his wife must have been long suffering, their relationship in the film just feels slightly off.

Perhaps the sequences I got on with the least were those back in London, where the members of the Royal Geographic Society were almost caricatures of a certain type of disbelieving Victorian gentleman. While Fawcett wasn’t altogether believed, he was well supported by the RGS over the years, and this was indeed a time of remarkable exploits. All their gruff behaviour just felt over-egged.

I said at the start, that my copy of Exploration Fawcett had an introduction by Robin Hanbury-Tenison. While he clearly admires Fawcett greatly, he does admonish him for being a teller of tall tales at times. For example, Fawcett relates killing an anaconda that was 60 feet in length, yet the largest anacondas regularly grow to around 17 feet, with the largest ever seen being 33 feet. That would make Fawcett’s twice as large again!

Fawcett also regularly regaled readers with tales he’d heard told by others, when in truth he couldn’t really verify them.

And Fawcett had some serious fantasies about Atlantis, as well as spiritualism, the latter indeed being popular at the time. No less a figure as Arthur Conan Doyle himself was a believer.

Gann’s book never addresses the idea that Fawcett may have exaggerated a little, and neither then, does Gray’s film. That shouldn’t undermine what Fawcett clearly did do, but sometimes the stories do need tempering.

The Lost City of Z was shot on film, and you can tell. The colour pallette of this film is not overly saturated, and while the Amazon is green, it doesn’t glow orange or “pop” in the way so many would grade their image to look. It’s a more washed out tone, that’s in keeping with the grime and dirt of an expedition.

It’s an absolutely fascinating tale, of someone I think relatively few really know about. There’s a through-line from Fawcett’s life, to the adventure novels of Conan Doyle and Haggard, which in turn lead to action heroes like Indiana Jones. We’re more familiar with Scott, Stanley, Livingstone and Shackleton. It’s definitely time for Fawcett’s moment in the spotlight. This is a film that’s really well worth seeing.

The Perils of Alexa!

This story started earlier today when I got a notification from Amazon’s mobile app that my order of a Lost in Translation DVD had been sent out for delivery.

What?

It’s a wonderful film, but I hadn’t ordered a copy. Indeed, I already own it on DVD. I was confused, and a little worried. Was it fat fingers in the Amazon app that had led to a purchase? Had I accidentally clicked a one-click purchase online somehow?

I went into my email, and found an email from Amazon dated at 4.13am. It confirmed my order!

Now, I should confess that the previous evening I’d gone for a couple of drinks with friends, but I hadn’t gone to bed that late, and I certainly hadn’t got up in the middle of the night to order a film that I already own. As a rule, I don’t wake in the small hours and make random DVD purchases.

I couldn’t tell from the email or from my Amazon order history, through what means the DVD had been ordered. But I began to wonder if it had somehow been ordered via Alexa. I’ve heard of other people “accidentally” ordering stuff that way. But that’s never happened to me.

So I opened the Alexa app to see my recent history. And then things got really crazy.

I use Alexa a reasonable amount, but the previous evening I’d got in late, and left early the following morning. On neither occasion had I really used Alexa.

But my Alexa history showed a lot of interaction since the last time I remembered using it to listen the radio the previous morning.

Amongst other things, it seemed I’d asked:

  • Alexa to introduce her/it-self
  • What is bluetooth?
  • How do you get along with Siri?
  • What the weather is
  • To buy an Amazon Echo Dot (this didn’t go through fortunately)
  • Are you sexy vehicle costume? (Nope?)
  • What is five plus eleven?
  • What is pi to the dress? (No idea)
  • Do you think I’m handsome? (Er…)
  • What is the weather? (Again, it seems)
  • What the New York Knicks score was? (I’m not especially interested in either them or the NBA in general)
  • To play Drake? (I don’t especially like Drake)
  • To play Grace? (I don’t know who this is, but Amazon does)
  • Tell me a joke
  • Set a timer for one minute
  • Would you like to go on a date with me? (“She” is an inanimate object)
  • Where can I hide the body? (Worrying)
  • Do you know Siri?
  • What is the weather? (I’m clearly very interested in this)
  • Tell me a joke
  • Trending story
  • Riley party (Absolutely no clue)
  • Convert cups in grams
  • Set a timer for one hour (I assume the one minute timer finished)
  • Play You Give Love a Bad Name by Bon Jovi
  • Okay Google (That’s not going to work on Alexa)
  • Order “Lost in Translation” on DVD (This went through, and I got a confirmation email at 4.13am!)
  • Hello
  • What is an Xbox on?
  • Add milk and eggs to my shopping list (I’m OK for both thanks)
  • Play Dire Straits

Now I was worried. The Alexa app doesn’t time-stamp these queries that I can see. But clearly this activity had happened in the middle of the night based on that Lost in Translation order.

I was confused.

Had another Alexa ended up on my Amazon account? Was some neighbour asking stupid questions through my letterbox? (I don’t have a letterbox, and the only children in my block are very young and unlikely to be playing around in the middle of the night.)

This was actually a bit disturbing.

And then I remembered that I had started a YouTube video on my TV before I fell asleep. I’m a heavy sleeper, and can fall asleep to background audio. But the TV would have been turned down.

I consulted my YouTube history.

I had been watching a video about the Raspberry Pi.

Yes, I know. At night, after a few drinks. I’m a nerd. What can I say.

But YouTube autoplays more videos when one has finished, and here’s a list of the following videos “I” streamed. I think this explains the otherwise unfathomable behaviour:

  • Echo Dot Impressions
  • Amazon Echo Dot: A week with review
  • Google or Amazon? Which is better? (Meaning Alexa or Google Home)
  • Google Home vs Amazon Echo – Which is Best?
  • Why you should buy Google Home over Amazon Echo vs Siri and Sonos
  • 4 things Google Home can do to beat Amazon Echo in 2017
  • Google home adds 70 new features
  • Google Home hacks for the smart home
  • Home automation: a beginner’s introduction
  • Google Home and App Setup + IFTTT Guide
  • If This Then That (IFTTT) Tutorial

Basically I “watched” a lot of videos about Alexa and Google Home, and my Echo tried to respond to various audio cues that came from these!

The DVD I didn’t want only cost £2.90 and I’ve tried to cancel it online. But it won’t be the end of the world if I end up with a second copy. I’ve learnt my lesson and disabled voice purchasing in the app.

The moral of this tale?

Don’t leave Alexa or Google Home alone with YouTube tech videos reviewing what Alexa and Google Home are capable of.

BT/UEFA Rights Deal

08 March 2009

Last week, BT Chief Executive Gavin Patterson was reported as saying that “rampant inflation in sports rights” had to end.

Today we learn that BT is going to pay £394m a season for UEFA Champions’ League and Europa League rights from the 2018/19 season, up from £299m a season under the previous agreement.

By my calculation, that’s a 31.8% increase over three years.

What was that about “rampant inflation” again?

BT’s new deal also includes all rights to highlights, meaning that there won’t be any TV highlights on ITV. Instead, BT will share free highlights in social media.

Hmm.

And of course UEFA is going to an 1800/2000 GMT/BST structure on Champions’ League match days, meaning lots of UK residents will still be at work or commuting while matches are taking place, as already happens with the Europa League. Oh good.

Prior to this deal being announced there had been lots of rumours in the press that UEFA advertisers were unhappy with the loss of free-to-air coverage.

One estimate suggests that being a tier one partner of the Champions’ League costs $70m. There are eight main sponsors of the Champions’ League (Heineken, Mastercard, Gazprom, Sony, Nissan, PepsiCo, Adidas and Unicredit), and if we assume that they all pay the same, that’s $560m a year in sponsorship revenue (Approx £460m).

UEFA’s calculation is that £100m more for UK rights is worth it, set against £460m of pan-European sponsorship revenues, and any reduced reach for those advertisers within the UK market for their premier competition.

This feels like a very short-term deal.

There is a quote in BT’s press release that says:

BT will enhance its social media coverage to reach new audiences, by making clips, weekly highlights, UEFA’s magazine show, and both finals available for free on social media. BT streamed both finals last year on YouTube for the first time, taking the number of people who watched BT’s live coverage of the finals to more than twelve million. The company will also seek to bring the best of the action to its large mobile customer base.

That suggests that only the final will be made available free. Everything else will be behind a BT paywall. No BT Showcase any more. There’s the possibility of BT sub-licencing some matches to another channel, but absolutely no guarantee they will.

I’ve examined the 12m number before, and it is to be regarded very carefully indeed. First of all 12m is not 12m different people – it’s the sum of the Champions’ League audience and Europa League audience. Football fans being who they are, that’s a lot of the same people who watched both matches.

And as I mentioned in the previous article, BT is using “reach” rather than the more usual “average audience” to get as big a number as they can. Last week 3.45m watched a one-sided FA Cup replay between Man City and Huddersfield. 3.45m means that at an average of 3.45m watched the entire broadcast from 1930-2200. Audiences aren’t constant, and once Man City were well ahead, audiences drifted away to other programmes. Other people turn on late and perhaps watch the last half an hour. Overall, at any given point in the entire match 3.45m were watching. But BT is using a reach number – the number of different people who watched any of the game. This is necessarily bigger. And it’s not a number that would normally be bandied around by a broadcaster when talking about viewership of their shows.

Finally, without a great deal more information we can’t be sure what the 3m YouTube component of the audience really means. First of all, the Champions’ League final had 1.8m views, meaning the Europa League must have had about 1.2m. YouTube registers a view when someone watches as little 30 seconds. So this almost certainly doesn’t mean 1.8m or 1.2m watched the entire match. And again, many of the same fans will have watched both matches.

Digging into BT’s YouTube channel doesn’t seem to surface the complete live videos any longer. There are just highlights packages. There are a couple of short videos with several hundred thousand views each, and it’s not clear if these were once the live streams (I suspect they may have been), or just incredibly popular promo videos, but either way, we need to be careful what we’re counting. Interestingly, the CL promo has around 470,000 views while the Europa League promo has over 600,000 views. If they were the live streams, then that doesn’t total 3m.

To be fair to BT for one moment, a single YouTube view does not equal a single viewer. Many will have been streaming to smart TVs with sizeable numbers potentially watching. But online video views can be a murky business, and the methodology is completely different to the BARB measurement for TV, meaning combined audiences figures should be treated with tremendous caution.

I suppose in the end, I find it incredibly disappointing that either a single match isn’t made available to ITV, C4 or C5, and that highlights are removed from TV altogether. Saying that you’ll make highlights available in social media is a nice addition, but shouldn’t replace a broadcast channel. Many older viewers in particular will struggle to see footage now. It’s the elderly and poorest in society who don’t have access to the internet for streaming and the devices necessary to enable them.

UEFA clearly doesn’t care about those viewers. BT will pay more for complete exclusivity, which they now have. And if you either can’t afford BT, or don’t have the means or ability to watch their social streams, then tough luck. No European football for you.

If this were any other sport – I’m looking at you, cricket – you’d question the ramifications for the future of the sport by striking this kind of lockout deal. But this is football, and the major competitions are always likely to be important.

The only tiny bit of hope is that Karen Bradley, Culture Secretary, recently talked of “future proofing” listed events like the World Cup. Would free-to-air Champions’ League highlights ever be included in that list?

Incidentally, if you were in Belgium, Germany or Italy, you’d be able to see, at minimum, the finals of the Champions’ League or Europa League of a home club reached the final, because of rules regarding listed events in those countries.

A 32% increase in fees? This time next year, the next Premier League TV deal will be being announced. I bet over in Gloucester Place, the Premier League is rubbing its hands in anticipation of next year, unless BT and Sky reach some kind of appeasement in respect of their relative positions in the TV football marketplace.

More “rampant inflation” to come?

[Later] An interesting piece in The Guardian about BT’s need to win these rights following a fairly miserable year for them. Although I would make a couple of points:

  • Only in football could a 32% increase in rights fees be considered to have cooled a little. BT drove the last round of increased fees by making a knockout bid. This time, they’ve still paid a substantial premium at a time when Sky “…did not look to submit a knockout Champions League bid.”
  • The Guardian piece notes that Sky is paying £11m a game under its current deal compared with £1.1m a game for BT’s UEFA deal. But that’s not really a fair comparison because Sky’s Premier League games are not all played simultaneously. In the group stages there are sixteen matches per round, spread over two nights. Even with two timeslots a night, that means at least three out of four matches will be behind a red button. And you can only watch one match at a time. Even watching the “goals” show, it means that a Tuesday evening is costing £8.8m for BT in rights fees. Sky only schedules a couple of simultaneous games on the final day of the season if there’s something to be played for. Yes, there’s “Super Sunday”, but you can watch both games.

Phones in Cars

From today, increased penalties are applicable in the UK for people who use their phones in the car. Infringers will get 6 points on their licence and a £200 fine. Get caught twice and you’ll find yourself in magistrates’ court facing a fine and a ban. If you’re a new driver, then you risk having your licence revoked.

You can use hands free kits and headsets of course, but it’s illegal to use a handheld phone while driving a car.

As these fines come into place, here’s the latest Seat Leon advert currently airing on TV:

Watch from about 16 seconds.

While I couldn’t swear that the hand we see is that of the sole driver in the car, and there might be an argument over whether he’s “using” the phone, it’s clear that he’s checked the phone to discover it has a dead battery. And from the camera work, the implication is that the car’s moving.

I’m surprised this ad got past the BACC!

It’d have been perfectly simple to edit the ad so that he checks his phone before he pulls away. Yes wireless charging is cool, assuming your phone has it. But this ad is pretty poor and would seem to show illegal behaviour.

It’s pretty clear that lots of people do use phones illegally in their cars, endangering other road users and pedestrians, and that we need to do more to stop it.

So full marks for this campaign and the increased penalties that might make people think a bit more.

And Seat, you may want to rethink your advert.