data

Misleading Infographics

I find few things more annoying than thoroughly misleading infographics. At the weekend, I was flicking through the latest copy of The New Statesman, and came across an advertorial published by Western Union addressing overseas trade.

The most startling part of the two-page spread was an infographic showing the top UK export destinations.

Now leaving aside the suggestion that WU Edge seems to present itself as the main route for this trade to be taking place, the most startling thing that instantly struck me was the scale of the US compared with everyone else. The size of the circle is significantly larger than any other circle on the page.

But hang on. If the US is worth $66.5bn, and Germany is worth $46.4bn (about 70% of the US), why does the German circle not look like it’s about 70% of the US one?

Let’s find out.

First of all, there are sometimes optical illusions, so I took a ruler out and roughly measured the diameters of the circles on the paper. (All more measurements and calculations from here on are a bit rough, with lots of rounding. However, the principles are correct.)

So the US circle is 28mm across, whereas Germany is 20mm, Switzerland 13mm and so on.

My suspicion is that they’ve sized these circles according to diameter or radius rather than area. Let’s see if I’m correct. Bearing in my mind I’m measuring roughly, here are my results:

If we assume a diameter of 28mm is equivalent to $66.5bn. then you can see that broadly speaking the other widths are in line with the printed numbers on the page give or take the odd billion.

But that’s a wrong way to do things!

If we were being presented with a bar chart, then the length of the bar would be fine. But we have circles here, and if we use radius (or diameter) as our measure, then the area increases exponentially. That’s because, as any schoolboy knows A = Πr2 (or Area = Π x radius2).

To show how this misleads, consider the US circle. The area of that 28mm circle (14mm diameter) is 616mm2.

That implies that $1bn = 9.3mm2.

But if we work back from that, then Germany’s circle should be 23.4mm rather than the 20mm it actually is.

That might seem a small difference, but with a circle it’s suddenly larger as this hand drawn (no compasses available) image shows.

More to the point, if you take a smaller example like China which in the printed chart has a width of 12mm, the calculations show that is should have a width of about 18mm.

An 18mm circle compared with a 12mm circle is significantly larger in appearance.

I’m not saying that anyone politically wanted to make the US look larger than the other countries, but misuse of circles, not taking into account radius, actively makes that impression.

Infographics are great, if they handle data responsibly.

This was a bad example and as a consequence presents a highly misleading picture.

Storage and Backup: Some Personal Experiences

[Note that this is likely to be duller than usual! It’s mostly written up so that anyone who searches for similar problems might find it useful.]

This all began last Wednesday when I noticed an email from Synology inviting me to update the firmware that runs that two NAS drives I own – a DS210j and DS214se. They’d just released DSM 5.2, their proprietary software that allows you to do all sorts of clever things with their products.

I’ve had nothing but good experiences with Synology. They’re reasonably priced, and they offer a safer way to store data than simply using an external hard drive.

So I ran the updates. My new DS214se updated no problem, but the older DS210j had a problem. It got to about 20% of the process and then stalled. And it wouldn’t restart. The status light was flashing orange which is not a good sign.

Now I was unable to get into the volume at all. I was concerned.

I had previously put in place a monthly “off-site” back-up. The NAS had 2 x 2TB drives in a RAID 1 array. That gave me a 2TB volume safely mirrored on the two drives alleviating most hardware failure. Additionally, I would monthly plug a 2TB external hard drive into my computer and ensure that all the contents were backed up. This 2TB volume would sit safely in my desk drawer at work – “off site”. Unfortunately, I left my old job, and hadn’t carried on with my back-ups, so my most recent back-up was over a year old. Furthermore, I’d since bought a second NAS, and that had no back-up at all. But that was working fine, so a problem for another day…

At one point in the procedure, I’d attempted to reinstall DSM using the software provided. But then I’d been presented with the five stages the software would take – including re-partitioning the drives! I pulled the plug – literally – when I saw that. I didn’t want my drives to wiped!

My workaround after a bit of Googling was as follows. I bought another 2TB hard drive and a SATA dock for a hard drive from my NAS. Because I’d used RAID 1, using one of the drives should be fine. I then downloaded a bootable version of Ubuntu onto a memory stick, and followed instructions to boot into the OS on my PC and get access to the drive. Ubuntu us seemingly better for reading the RAID file format.

My files were safe! Ubuntu wasn’t reading my external HD though. I put this down to buying a special kind of HD that I’d my eye on anyway. It’s WD WiFi model that can deliver files to portable devices easily. More usefully to me in photography was the built in SD-Card reader which can hoover up any files on a card while you’re in the field. While SD cards are cheap enough, it’s good to have a backup on the road, and reading the resulting images into Lightroom afterwards via USB will be quicker. However Ubuntu couldn’t read this new purchase, so I had to get another cheap 2TB drive which it could see.

I then used Ubunutu to copy down the files to my external hard drive. This obviously took many hours. But now I had at least the safety of knowing that they were backed up before I went about rebuilding my NAS.

Then it was a question of reinstalling DSM 5.2 onto my Synology. I was expecting the software to reformat the drives before I had to copy them back to the NAS. However, when it came to the re-partitioning step… it skipped it! It took a while, but it reinstalled DSM onto my NAS, and my files were safely sitting there without me having to copy anything back. I hadn’t actually needed to buy either of the two 2TB drives I now had, boot into Ubuntu or buy a HD dock. I felt much safer for having a backup though.

There was another problem now – one of the hard disks was reported as physically degraded. That was because I’d foolishly yanked the HD out of the dock before making sure it was switched off. You know instantly if you’ve done this because the spin speed imparts some serious gravitational forces on the drive and you can feel them in your hand. I really can’t explain how weird this feels. I don’t suggest you try it unless you don’t care about your hard disk.

Had I completely messed up my drive in this process? Was I going to have to buy yet another 2TB drive?

Possibly.

I went through the Synology repair process – it took a painfully long 18 hours – and all seemed fine. The drive is no longer reported as degraded (although I will keep a close eye on it), and once I’d reinstalled Plex and Download Station onto my NAS, I was back up and running.

Searching my records, it appears that I bought this NAS in 2010, and the drives at the same time. I suspect that I need to replace them anyway in the near future. So a couple of 3TB or 4TB drives is on the cards. Storage is so expensive, yet so dull.

Do I get a new NAS at the same time? Getting a Synology NAS that supports Plex is a more expensive proposition these days, despite the advances in processing power. I’ll see depending on what comes out.

In the meantime, I’m now faced with another dilemma. What do I do about my “off-site” back-ups?

I reckon I currently have between 3 and 4TB of data stored across various devices that I’d like safely backed up. But what’s the most cost effective way of doing this? I could revert to portable hard-drives sitting in a locker at work again. But cloud computing costs are coming down, and my fibre connectivity is unlimited. Even then, I realise that it’s likely to initially take a couple of weeks to fully back-up my current file usage. But having files in the cloud would be massively useful. And much safer.

I currently have a Google account with a bit over 1TB of included storage (a Chromebook promotion), of which I’m using a grand total of 7%. They charge $9.99 per TB per month for storage additionally. So that’s an option, although getting on for $500 (£320).

I also have 1TB of storage with Microsoft’s OneDrive because I have an Office 365 Personal subscription that came with a computer. They came out as Labs winners in the most recent PC Pro magazine. I’m using even less of that 1TB, but I’m a bit confused about OneDrive’s options.

Logging onto OneDrive to look at additional storage options suggests that I have to pay either £1.99 a month for another 100GB or £3.99 a month for another 200GB. Yet this piece from their blog in October last year says that they are rolling out unlimited storage! It still seems to be in beta, so I’ve added myself to the list. £60 a year for Office plus unlimited cloud space would be a great deal (or even £80 for 5 PCs). [Update – November 2015: I never got my “unlimited” storage. I got the 1TB when I later bought an MS product that came with 12 months’ of Office 365. Microsoft has now pulled unlimited, and is sticking with 1TB for Office 365 users, and 5GB (down from 15GB) for free users.]

The other option seems to be Amazon where I pay for Prime. But again the situation is a bit confusing. Logging into my account I seemingly have 10GB of total storage space, of which I’ve got 9.7GB free. The remainder is mostly made up of documents I’ve sent to my Kindle in the past.

Amazon does allow free photos to Prime members in the UK. But there are question marks about some file formats. Amazon recognises some RAW file formats but not others. Video is excluded though, and although I mostly keep it out of Lightroom, there’s a little in there. Perhaps Amazon could take care of my Lightroom photo library though for no additional cost.

What’s odd is that in the US you seem to be able to pay $60 a year for unlimited storage of any kind of file. This just doesn’t seem to be an option in the UK.

Otherwise, there’s DropBox, but it’s too expensive on current price plans. There are smaller companies, but it feels safer to go with a big company. If Microsoft does properly roll out a full unlimited OneDrive offering, then I’m in. Otherwise it could be Amazon as a partial solution.

Decisions, decisions.

Radio Academy Awards 2014 and a Complete History

Last night at the Grosvenor House in Mayfair, the great, good and a lot of other folk, gathered for the radio industry’s big bash. The awards have changed sponsor – or are in the process of doing so. Like the Perrier Awards and Orange Book Awards, they’re going to take a while to shake off 32 years’ sponsorship by Sony. In the biz, the awards are just called “Sonys” after all.

Anyway, looking down the list of winners, it seems like the judges did pretty well this year.

Radio 2 got Station of the Year, and with seemingly the majority of the population now listening to the station, who can argue with that? Tony Blackburn got the Gold award for more than 50 years on the air. Even today, he broadcasts on multiple stations every week! BBC Tees won Station of the Year (under 1m), and BBC Ulster won the same award for 1m+. So a clean BBC sweep across the three awards.

The Special Award went to the LBC team who put together Call Clegg and Ask Boris. They’ve done great work in utilising those slots to the fullest. I’m sure other stations are insanely jealous (indeed I did hear Vanessa Feltz on BBC London last year, berate Boris for not giving that station enough interviews!).

I must confess not to have ever heard Gem 106’s Sam & Amy, but they beat Radcliffe and Maconie, and Graham Norton to Music Radio Personality of the Year. And they got some other nominations too. Ones to watch? Zane Lowe picked up Music Radio Broadcaster of the Year, while Danny Baker collected Speech Radio Personality of the Year. He may be only on the radio once a week now, but he’s still miles ahead of the rest.

Victoria Derbyshire toughed it out with Jane Garvey and Melvyn Bragg to win Speech Radio Broadcaster of the Year, while Best Interview of the Year went to Winifred Robinson’s interview with Ralph Bulger.

The Capital Breakfast with Dave Berry and Lisa Snowdon won Breakfast Show of the Year (10m+) beating 5 Live and BBC London, while Iain Lee won the same award (under 10m) for his BBC Three Counties show.

Interestingly, the excellent Frank Skinner Show (from Absolute Radio, my previous employer) won Best Speech Programme of the Year, beating the also very fine Digital Human and Call Clegg. I imagine some will be a little “put out” that Frank is considered a speech programme, but there’s not a great deal of music actually in the show.

Eddie Mair’s reign-supreme continues with PM winning the Best News and Current Affairs Award. The question now is whether he replaces Paxman as part of the Newsnight roster. With one or two shows a week, he might just be able to double up with Radio 4.

I’m delighted that the team at Absolute Radio won the best use of Branded Content (hate that phrase) for the Wickes sponsorship. Really clever integration into the show – aided and abetted by an excellent and understanding client. KISS won the Best Station Imaging Award beating TeamRock and Radio 2.

The guys at One Golden Square will be delighted to win Radio Brand of the Year, ahead of sister brand KISS UK and Global’s Capital. A fine testament to all the work they’ve done. Absolute Radio also won the Best Technical Innovation award for InStream. Congratulations to the great team who built that (And yes, I’m aware InStream also won a Bronze in last year’s Multiplatform Award. No, I don’t know the criteria for either award).

I was delighted that BBC Radio Lincolnshire won the Best Creative Innovation for #Lipdublincoln. The resulting video makes me smile every time I see it. Seriously – go away and watch it now if you’ve not seen it before.

Finally here, I’m going to mention that The Secret World won the Best Comedy award for Radio 4 – one to check out for me. And The Morpeth Carol won the Best Drama award beating Sir Tom Stoppard into second place with Darkside for Radio 2, based on Pink Floyd’s Dark Side of the Moon.

I believe that you’ll be able to hear either excerpts or complete programmes for a limited time on the Radio Academy’s website. That’s important because many programmes are regional and even in a world where we have the Radioplayer, once they’re gone, they’re often gone for good.

I do think these awards don’t properly celebrate podcasts. While an individual podcast can be entered into relevant award categories, these are categories that have been defined by radio formats and broadcasting. So in many cases it means shoehorning your podcast in. While a general “podcast” category can mean comparing very diverse types of programmes, when there was a previous podcast award it did put the spotlight on some very different programmes that would have struggled otherwise.

The full list of awards is here on the Radio Academy’s awards website.

On that website, you can see the winners back to 2010. And about a year ago, I published a piece that looked back on the full history of the awards. That’s because I laboriously scanned in a paper printout of every award winner since the awards began in 1983. From the piece last year:

This was not an insignificant undertaking, taking many hours. I used that paper list, some bulk scanning, OCR-ing, and a lot of manual correction. And I had to wrangle all that data into some kind of sensible and useful format. You can understand why I’ve been “sitting” on that list for quite some time. However, I’ve come to the point where I’m happy with my database.

But I can’t be certain, and there may be errors in it.

I may have transcribed something wrongly, or I may be missing data. I’ve tried to put stations into groups, but that’s not necessarily completely accurate since ownership structures change (and I’m therefore avoiding summarising wins by groups accordingly).

Stations change names too – sometimes quite a great deal. I’ve used the names as they were originally stated aside from some cleaning up to overcome “branding” exercises. So once it had been given the “Live” soubriquet, I’ve called it “BBC Radio 5 Live” rather than “BBC Radio Five Live” as it was known for a while. On the otherhand BBC Radio 5 continues to exist on its own. I’ve tried to be consistent with uppercase “FM”s even when there were phases when marketing departments loved the lowercase “fm”.

But do let me know if you spot any howling errors once I put the whole thing up.

I can’t claim to be an expert on the Sony Awards. I’ve only watched from afar, and have little detail about how they’re run and judged. But for most of their history, Gold, Silver and Bronze awards have been made in most categories. The exceptions tend to be the “big” awards such as the various “Station of the Year” awards where only a Gold is handed out. Runners up are simply “Nominees” in those instances.

However in the data that I was able to collate, I only have a note of the Gold awards for the first couple of years. It may be that on a single winner was handed out per category at that time. I’m not sure. But it’s only in 1985 that I have a note of Silver and Bronze awards as well.

And aside from some commendations, I only have details of the full lists of nominees and not just winners, from 2000. So there are probably quite a few nominees missing.

Today if you visit the official website, there are enormously full lists of every producer and assistant responsible for any nominated show. But that certainly hasn’t been the case for all that long, at least in the records that I’ve obtained. I’ve collated a “Production” category, but with the exception of a few IRNs and BBC Externals, it’s only from 1992 onwards that a few independent production companies’ names start creeping in. Around the same time, some BBC department names, and notably, commercial radio news teams, get credited for productions.

Of course these aren’t in any way consistent over time. In particular, BBC internal departments seem to be named according to the whim of whichever individual put the entry in. And that’s before you take account of those departments regularly changing names semi-regularly.

It’s also not always clear whether a person has received a Gold Award for their work in either BBC Radio or commercial radio, or just radio in general. Sometimes the person has only worked in one place, but these days many have stepped across the line, and may well have started out on commercial radio. Either way, some awards aren’t categorised as either BBC or Commercial wins.

Because Google Charts has broken all the embedded information I put up last year, I’m updating all the charts to include the 2014 awards.

And I’m also publishing the full list, as it seems a shame to sit on it. Hopefully a few people will find it useful. I imagine, if somebody has the time, it’d be nice to populate Wikipedia with the winners that’d be very useful.

The only thing I’d ask is that you reference me as an intermediary source, since I did the data collation. And in any case, if there are any mistakes, then it’s my fault!

A Google Doc with the full list of winners and many nominees is here.

What now follows is a revised update to last year’s piece:

Richard Park won Local Radio Personality of the Year on Radio Clyde in the very first Sony Awards back in 1983. I wonder whatever happened to him?

Other things to note from that very first set of awards: Terry Wogan won Best Popular Music Programme, while Woman’s Hour won Best Magazine Programme and The World This Weekend won Best Current Affairs Programme. So some things in radio never change.

Radio Active won Best Light Entertainment Programme, and Sue MacGregor and Brian Johnston won, respectively, Female and Male Personalities of the Year.

It must be said that 1983 was fairly dominated by the BBC. Only Piccadilly Radio, Radio Clyde, both with two awards and Essex Radio and Radio City, each with one, broke the stranglehold.

The other Radio Clyde award, though, was for Best Actress reminding us that once upon a time, commercial radio did actually do drama!

The number of drama awards has decreased over time, but I can’t help noticing that having Best Actor and Actress categories did allow some very big names to win awards and, one would imagine, add some glamour to some evenings. Glenda Jackson, Joss Ackland, Tim Piggot Smith, Jane Asher, Anna Massey, Patricia Routledge, Ronald Pickup, Alan Rickman, Juliet Stevenson and Billie Whitelaw all won awards during the first few years of the Sonys.

One of the things people often note about the Sonys is the number of awards. This chart suggests that they’re probably right (although any joint awards are double-counted in this instance). In 2013 the number of awards fell a little, but has now jumped back.

chart1 (1)

But how do those awards breakdown between the BBC and Commercial Radio?

chart2 (1)

Well clearly, the awards are more level pegging these days, and the gap is being closed. As I mentioned, the “unstated” are simply awards made to people above and beyond BBC or Commercial considerations. There have also been the odd joint award between BBC and Commercial that has been ignored here.

If we look at the most successful stations over time, there’s one thing that stands out – Radio 4 has a lot of Sonys.

chart3

(Note that I have consolidated same named stations, but if they significantly rebranded over the years such as Virgin Radio to Absolute Radio, Piccadilly to Key, or even BBC Radio 5 to BBC Radio 5 Live, there are two sets of numbers).

Radio 4 of course has natural advantage. It’s the biggest budget station in the country, and in some award categories, it’s the majority player (sometimes only player). I strongly believe that the award categories are right and a station shouldn’t be penalised for either its success, its excellence or the fact that others struggle to compete is some areas – or simply choose not to.

Anyway, Radio 4 does seem to be winning slightly fewer awards each year over time.

chart4

What else does a deep dig reveal?

Radio City does well in the early years with Clive Tyldesley winning on a couple of occasions for sport. These days, he’s ITV’s lead football commentator.

The Local Radio Personality of the Year in 1985 was Allan Beswick on Red Rose Radio. 28 years later, he’s still in the north west, now presenting breakfast on BBC Radio Manchester. In 1985, Beswick pipped James Whale to the post – Whale won a silver for his Radio Aire show.

And yes, we do still remember the short stint when it was simulcast on ITV!

From the start there had been an award for Local DJ of the Year. But clearly that discriminated against Radio 1 presenters. So in 1986 the National DJ of the Year category was invented. The problem was that it became an exclusive competition between Radio 1 jocks. I guess that theoretically Radio 2 presenters might have entered, but they probably didn’t even consider themselves “DJs” at that time.

In 1987 Mike Smith won Gold, doing the double in 1988 (by which time it was sponsored by Smash Hits). In 1989 and 1990 Bruno Brookes won, before Simon Mayo won in 1991 and 1992. So while it wasn’t quite simply a reflection of who was presenting the Radio 1 breakfast show at the time, it was a good indicator.

It wasn’t until 1989 that an award for the Best Breakfast Show was first introduced. The initial award saw Les Ross beat Chris Tarrant and Dave Bussey to the Gold.

In 1991 Network Africa on the BBC World Service for Africa beat Chris Tarrant to the Gold in what must have been an extraordinary decision to have to make. Perhaps it wasn’t then surprising that by 1992 the award had been broken up into music and speech based categories.

But by 1993, the INRs had begun to launch with Classic FM first out of the blocks. In a curious amendment to the breakfast show awards, music was further split into “contemporary music” and “non-contemporary” music. Somehow Classic FM managed to win Gold and Silver in that category. “Non-contemporary” only lasted another year before the award reverted to a simple speech and music delineation.

In the early years, split awards were relatively frequent. But sometime in the last ten years or so, stricter rules seem to have been applied, and there’s only one winner per category nowadays. In any case, the rules were clearly a little arbitrary before. Sometimes if two Golds were handed out, then there’d be no Silver and just a Bronze. But other times, essentially four stations would be handed awards.

By the start of the 1990s following the split of AM and FM into separate services on local commercial radio, we begin to see the “Gold” services win awards. Piccadilly Radio 1152 and Capital Gold were early winners.

Lots of names of stations that are no longer with us. London Talkback Radio anyone? (It was one of LBC’s myriad of ill-fated name changes in the late 80s and early 90s before they sensibly returned to calling themselves LBC).

The first Station of the Year award was made in 1989 when BRMB won, beating BBC Radio Kent, BBC Radio Merseyside and BBC Radio Foyle. What’s odd is that there was no national station of the year until later. I assume that’s because it’d have been a competition between BBC stations – a clearly impossible comparison that perhaps the BBC wasn’t keen to make. Again we had to wait until just before the INRs started in 1992/3 for Wear FM to win an overall “Station of the Year” award beating out Clyde 2 and BBC Radio Newcastle. LAter, of course, delineations between station sizes were made.

From the beginning of the Sony’s there was clearly a need to make some “Lifetime Achievement” types of awards to longstanding people within the radio industry. I’d have thought that “Lifetime Achievement” might have been a good title. But no, the title chosen that just tripped off the tongue was “Sony Gold for Outstanding Contribution to Radio Over the Years.”

Yes – “Over the Years!”

The winners, however, were rather fine. Between 1983 and 1990 awards were handed to Frank Muir and Denis Norden, David Jacobs, BFBS, John Timpson, The Archers, Gerard Mansell (who created Radio 4), Tony Blackburn and Roy Hudd.

They later came up with better names for the award, and today we know it as The Gold Award.

Categories have been and gone in the Sonys. Quite a lot in fact. I don’t think a single category has been unchanged in the history of the awards.
1991 saw the last Children’s Programming Award at a time when BBC Radio 5 was one of the few places children could get radio. These days it’s either Fun Kids or the internet of course.

And the Internet Award ran from 2007 until 2012, but has been scrapped this year, not a popular move amongst podcasters who now have to compete in the main categories should they choose to enter.

We did have the first “Brand of the Year” Award last year of course – something which I’m sure listeners will be very excited about.

If you talk to anyone about talent in UK radio, then a couple names show up all the time: Kenny Everett and John Peel.

So how kind have the Sony’s been to them over all that time?

During the time that he could have won Sony Awards, Everett was broadcasting with Radio 2, Capital Radio and Capital Gold (after they split frequencies) through until 1994. But the first award he got was a Bronze in 1991 for his Capital Gold show for Best Sequence Programme (Jeff Owen on BBC Radio Nottingham won Gold, with John Dunn’s Radio 2 show getting the Silver). Then in 1994, as his broadcast career ended he was given the “Gold Award for Outstanding Contribution to Radio Over the Years.”

And that’s it. He’s actually won more posthumously – with a further three based on archive material.

John Peel has had a longer radio career starting with the birth of Radio 1 and continuing with the BBC until his untimely death in 2004.

Peel won his first award in 1986 picking up the first National DJ of the Year. But it was another seven years before he won National Broadcaster of the Year in 1993. He then had to wait until 1999 when he won Silver for Talk/News Broadcaster of the Year and Gold for Home Truths. Home Truths also won Gold for Short Form Audio that year as well as the Weekend Talk/News Award.

He was nominated for Home Truths as Speech Broadcaster of the Year in 2001, and won The Gold Award in 2002.

In 2007 he posthumously also collected an award – The Broadcaster’s Broadcaster Award.

So Peel was probably more honoured than Everett, although it seems more for Home Truths than his long running Radio 1 music programmes.
I’m probably being a little unfair here as it’s always easier to have twenty-twenty hindsight. But perhaps even our industry doesn’t really appreciate who we have while we have them.

Here’s a nice tough trivia question. Which TV programme won a Sony Radio Award?

It was Blue by Derek Jarman in 1994 which was a Channel 4/BBC Radio 3 simulcast and won a Gold Drama Award. Jarman died in early 1994, probably before he received this award.

Back then few of us would have had stereo TVs, so you could tune in for a fuller soundscape on your FM radio. The picture was simply a blue screen the whole way through (Can you even begin to comprehend Channel 4 doing something like that today?). Blue is available on DVD.

One of my favourite comedy programmes of all time is On The Hour – the radio spoof from Chris Morris, Armando Iannucci et al, that would turn into The Day Today on television. In 1992 it won Silver, and was beaten by a BBC Radio Ulster programme (Perforated Ulster) in the Best Comedy/Light Entertainment Programme category. But On The Hour also introduced the world to Steve Coogan’s Alan Partridge, and his spin-off series, Knowing Me, Knowing You won Gold the following year. It also headed to TV like so many radio comedies. Alan, of course, gets his own film based around his current station, North Norfolk Digital, later this year.

Virgin Radio got their first award in 1995 – a Silver for Russ & Jono in the “Breakfast Show: Music Based.” They were beaten by Sarah Kennedy on Radio 2. Talk Radio won its first award – a Bronze – in 1996 with “There’s Only One Gary Newbon” in the Response to a News Event category. Quite what that event was, I don’t know.

The 1996 “Breakfast Show: Music Based” award is interesting because it features – in order – three Virgin Radio breakfast shows in a row. Gold that year went to Russ & Jono, the incumbents on Virgin. Silver went to the Chris Evans Breakfast Show who at the time was still on Radio 1 (Evans would join Virgin and take over breakfast of course). And Bronze went to the Steve Penk Breakfast Show on Key 103. When Evans was fired by Virgin, Penk stepped in to take over breakfast.

And while I’m talking about Virgin Radio, I can’t help but note that in 2000 it managed to beat Who Wants To Be A Millionaire to the punch, being the first broadcast outlet to give away that much cash. But it still only managed to get a nomination in the competition category. The million pounds was also delivered outside a RAJAR period just to indicate how poorly conceived the plan was!

At the turn of the millennium, another new and interesting development started. In 2001 we got The 2000 Award – going to Terry Wogan. This was followed by the 2001 Award in 2002 and 2002 Award in 2003. Sometime around then, the madness stopped.

While it’s clear that the categories awarded in the Sony’s have been changed over time to make sure that there’s a fairer split across different types of stations, you can’t help feeling that news and speech based breakfast shows always feel that they’re on a hiding to nothing when it comes to The Today Programme on BBC Radio 4.

But is that actually the case? Could it be possible that the excellence and journalistic resource that the programme has works against it? This is a list of all the Gold Awards that Today specifically has won over the last thirty years.

Best Current Affairs 1984, 1989
Best Response to a News Event 1989, 1990, 1994
Best Daily News Programme 1990
Best Breakfast Show: Speech Based 1992, 1995
News Award 1998 (shared)
News Coverage Award 2003
The Breakfast Show Award 2007
News Journalist of the Year 2007 (John Humphrys)
Breakfast Show of the Year 10m+ 2010

That’s only 13 Gold awards which is probably surprisingly few all things considered.

(Note that others may have won awards for work partly carried out on Today, but I’m considering programme specific awards here).

To put this in perspective, I think PM has only won about five specific Gold awards over the same time. And I’ve not even looked at The World at One.

Here’s another piece of trivia. Did you know which ex-editor of The Sun has a Sony Gold? Dominic Mohan has one for a 2003 Virgin Radio special on The Who.

A couple of notes:

I’m not aware that a record of the award winners is in any way copyright, but obviously I do not wish to tread on anybody else’s toes. The awards did for many years belong to Zafer Associates, and they’ve recently been passed over to the Radio Academy. I’m not aware of any value in the data, and most of it is in the public domain (albeit, really hard to get hold of as I’ve said). Finding past BAFTA TV winners isn’t as hard, although even Wikipedia entries trail off in the mid-nineties.

Any errors in the data are mine alone. Please do drop me a note if you find any.

As I said before, at least now some diligent individuals can populate Wikipedia (I can’t be bothered as getting the data this clean has taken me far too long). This data might also be useful for those studying radio and the history of radio. And we can continue to shout from the rooftops about great radio.

[UPDATE: 19 April 2016 – Thanks to Sam Bailey who has converted the sheet linked to above into a Wikipedia page, instantly making all these old winners much more visible and searchable!]