{"id":2560,"date":"2009-05-28T13:10:16","date_gmt":"2009-05-28T13:10:16","guid":{"rendered":"http:\/\/www.adambowie.com\/2009\/05\/dreadful_dreadf\/"},"modified":"2009-05-28T13:10:16","modified_gmt":"2009-05-28T13:10:16","slug":"dreadful_dreadf","status":"publish","type":"post","link":"https:\/\/www.adambowie.com\/blog\/2009\/05\/dreadful_dreadf\/","title":{"rendered":"Dreadful Dreadful Television"},"content":{"rendered":"<p>The most recent issue of <a href=\"http:\/\/www.wordmagazine.co.uk\/\">The Word magazine<\/a>, and most recent edition of their <a href=\"http:\/\/www.wordmagazine.co.uk\/content\/talking-real-life-monkey-tennis-sacred-harp-music-and-how-you-can-be-our-100th-podcast\">podcast<\/a> both discuss &#8220;Monkey Tennis&#8221; &#8211; the phenomenon best illustrated by the Alan Partridge clip where he desperately attempts to win a commission from a BBC controller:<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/IEwZ-1s9-SU&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/IEwZ-1s9-SU&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><br \/>\nJump to 4:55 for the really good stuff &#8211; although it&#8217;s all excellent.<br \/>\nIn both the article and podcast Aris Roussinos talks about exactly how TV programmes are commissioned and frankly that Alan Partridge pitch seems pretty accurate. It&#8217;s horrifying, it really is.<br \/>\nCommissioners have such a low opinion of the general public that all those &#8220;says what it is on the tin&#8221; series which clutter up most channels these days. <a href=\"http:\/\/www.adambowie.com\/weblog\/archive\/002668.html\">I&#8217;ve said before<\/a> that I&#8217;ll <I>never<\/I> watch another show, no matter how brilliant, if it&#8217;s called &#8220;The Real&#8230;&#8221; anything.<br \/>\nFlicking through this week&#8217;s Broadcast, just brought more of the same. The big story is Shine US&#8217;s commission of something called <em>The Marriage Ref<\/em>. Despite having the input of Jerry Seinfeld, this show in which a comedian judges which of a husband or wife is right in a discussion sounds like lowbrow daytime television rather than primetime entertainment.<br \/>\nBut what other great TV have we got to look forward to?<br \/>\nVirgin 1 has commissioned <em>The Naked Office<\/em>, in which a Newcastle ad agency has run an &#8220;experiment&#8221; that involved everyone removing clothes to &#8220;improve communication and break down hierarchies in the office.&#8221; It&#8217;s being considered for a potential series. And it&#8217;s not just an excuse to look at people naked.<br \/>\nThey&#8217;ve already commissioned a programme about Jim Davidson entitled <em>So You Think I&#8217;m An Arsehole<\/em>. Actually, I&#8217;m more inclined to believe that of the commissioner&#8230; And there&#8217;s also <em>Why Men Watch Porn<\/em> in which &#8220;medical experts&#8221; try to measure the effect of watching lots of pornography. Groundbreaking stuff.<br \/>\nStill, that&#8217;s all Virgin 1. What about the BBC? You wouldn&#8217;t get that kind of garbage on a licence fee funded channel would you?<br \/>\nWell BBC 3 is sending <em>Snog, Marry, Avoid<\/em> overseas for 12 episodes with an ex-Atomic Kitten. Challenging stuff. And the same channel has commissioned <em>Clever v Stupid<\/em>: &#8220;<em>Clever v Stupid<\/em> explores the notion that you can be brilliant without engaging with Aristotle&#8221; according to the executive producer. Just as well, since Aristotle died over 2,300 years ago which is going to make &#8220;engaging&#8221; with him quite challenging right now.<br \/>\nAnd there&#8217;s yet more BBC 3 news &#8211; their budgets must have just been agreed or something. <em>Dancing On Wheels<\/em> will pair wheelchair users with able bodied partners in a dance competition. I&#8217;ve no problem per se with this &#8211; if I honestly thought that it was being commissioned for the right reasons. You just know that the programme title was created first, and a format shoe-horned into it.<br \/>\nOver on ITV, following her success with the Gurkhas, Joanna Lumley is presenting <em>Cat Woman<\/em>. Sounds enthralling. Well it would perhaps, if it was a remake of either 1942 or 1982 versions of <em>Cat People<\/em>. Sadly, I think this is more about her looking at, well, cats. Let me know when the DVD&#8217;s out.<br \/>\nI know that nobody has any cash on TV at the moment &#8211; although ITV should at least have earned a pound or two this week, but coming up with halfway decent programmes which cost<br \/>\nIncidentally, tonight on BBC1 is a documentary called <em>Tourettes: I Swear I Can&#8217;t Help It<\/em>. As we all know, this medical condition never gets any airtime, and this must surely be the first documentary covering this subject? Well, apart from <em>Teenage Tourettes Camp<\/em> (ITV), <em>Tourette de France<\/em> (C4), <em>Tourettes on the Job<\/em> (Five) and <em>Extraordinary People: Tourette&#8217;s Rewired<\/em> (Five) all of which have aired in the last three years. Then there was the <em>Big Brother<\/em> contestant suffering from it.<br \/>\nI&#8217;m sure that this wasn&#8217;t commissioned just because there&#8217;ll be an audience for people swearing at inappropriate moments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The most recent issue of The Word magazine, and most recent edition of their podcast both discuss &#8220;Monkey Tennis&#8221; &#8211; the phenomenon best illustrated by the Alan Partridge clip where he desperately attempts to win a commission from a BBC controller: Jump to 4:55 for the really good stuff &#8211; although it&#8217;s all excellent. In [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2560","post","type-post","status-publish","format-standard","hentry","category-tv"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=2560"}],"version-history":[{"count":0,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2560\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=2560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=2560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=2560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}