{"id":2584,"date":"2009-07-26T13:17:34","date_gmt":"2009-07-26T13:17:34","guid":{"rendered":"http:\/\/www.adambowie.com\/2009\/07\/wynton_marsalis_3\/"},"modified":"2009-07-26T13:17:34","modified_gmt":"2009-07-26T13:17:34","slug":"wynton_marsalis_3","status":"publish","type":"post","link":"https:\/\/www.adambowie.com\/blog\/2009\/07\/wynton_marsalis_3\/","title":{"rendered":"Wynton Marsalis and the Jazz at the Lincoln Center Orchestra"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/adambowie\/3753421186\/\" title=\"24 July 2009 by adambowie, on Flickr\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm4.static.flickr.com\/3496\/3753421186_e148718fdb.jpg\" width=\"500\" height=\"375\" alt=\"24 July 2009\" \/><\/a><br \/>\nNext year, the Jazz at the Lincoln Center Orchestra is starting something of a residency at the Barbican and other venues in East London. It&#8217;ll happen for at least a couple of years in the run-up to the Olympics.<br \/>\nAll I can say is that on 1 October, when tickets go on sale, you should rush out and get some because this is always a visit that&#8217;s well worth seeing. Even if you&#8217;re not the world&#8217;s biggest jazz aficionado &#8211; and clearly I&#8217;m not &#8211; the passion, skill and above all, the music is unmissable.<br \/>\nI&#8217;ve seen Marsalis play at least <a href=\"http:\/\/www.adambowie.com\/weblog\/archive\/002158.html\">twice<\/a> <a href=\"http:\/\/www.adambowie.com\/weblog\/archive\/000134.html\">before<\/a> at the Barbican and once more at a <a href=\"http:\/\/www.adambowie.com\/weblog\/archive\/000855.html\">Prom<\/a>. There&#8217;s always a theme to these concerts and this time around we heard lots of movements from a specially commissioned piece for Spain. As such, he had a guest in Chano Dominguez, the Spanish pianist. In one piece he and JLCO regular <a href=\"http:\/\/www.jalc.org\/concerts\/artist209.asp?PersonID=565\">Dan Nimmer<\/a> switched multiple times on piano duties &#8211; at one point &#8220;duelling&#8221;.<br \/>\nIt wouldn&#8217;t be Marsalis without some Ellington, and we got a glorious solo from <a href=\"http:\/\/www.jalc.org\/concerts\/artist209.asp?PersonID=156\">Joe Temperly<\/a> playing <strike>a piece who&#8217;s name I didn&#8217;t catch (Rose?)<\/strike> &#8220;The Single Petal of a Rose&#8221; (thanks to the <a href=\"http:\/\/www.ft.com\/cms\/s\/2\/dd3ebe3e-7a14-11de-b86f-00144feabdc0.html\">FT<\/a>) on a glorious bass clarinet.<br \/>\nAnother Brit in the orchestra is <a href=\"http:\/\/www.jalc.org\/concerts\/artist209.asp?PersonID=688\">Elliot Mason<\/a> and Marsalis insisted that his parents who were in the audience stand up and take a bow.<br \/>\nEl Pira\u00f1a came on for a couple of pieces at the end, playing percussion (basically a box) adding some more flamenco to the New Orleans jazz proceedings.<br \/>\nThe evening ended in a standing ovation. I&#8217;ll be getting my tickets for next year&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Next year, the Jazz at the Lincoln Center Orchestra is starting something of a residency at the Barbican and other venues in East London. It&#8217;ll happen for at least a couple of years in the run-up to the Olympics. All I can say is that on 1 October, when tickets go on sale, you should [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-2584","post","type-post","status-publish","format-standard","hentry","category-music"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/comments?post=2584"}],"version-history":[{"count":0,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/posts\/2584\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/media?parent=2584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/categories?post=2584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adambowie.com\/blog\/wp-json\/wp\/v2\/tags?post=2584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}