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The Pros and Cons of YouTube Music – September 2020 Edition

I’ve been a user of Google Play Music for quite some time now – almost exclusively because they uniquely allow you to upload your own music (or other audio) to their servers. You could upload 50,000 tracks to the site.

Why is this important? Maybe you have music that hasn’t been commercially released? Your friend’s composition or a non-official mix. Or music that hasn’t made it to streaming (Want to hear The KLF on Spotify? Good luck!). Or Or audio that isn’t music at all – e.g. audiobooks you’ve bought elsewhere.

And perhaps, you might already have a fairly healthy music collection and want a way to listen to it on the go.

Anyway, Google Play Music is morphing into YouTube Music, and it has its pros and cons.

Pros

Cons

You may notice that my cons list is somewhat bigger than my pros list. The ability to have a massive uploaded library still trumps most of those issues – although they need to let me navigate my uploaded library better. And I trust that improvements will come in due course. Some should be trivial, like letting me Cast from my desktop, or building a half-way decent Android TV app.

I had thought that once upon a time, paying for YouTube Music meant getting rid of YouTube adverts. I never got that benefit, and today it’s a £2 (or $2) upgrade. Given how awful YouTube ads are, both in their repetition, them trying to sell me things I already pay for, and the utter mess that is mid-rolls on the platform, perhaps I should stump up.

I confess that I don’t like the algorithmic stuff from any streaming service I’ve used. Without wanting to sound snobbish, my music listening is quite eclectic – cheesy pop songs one minute; modern classical the next – but the algorithms just seem to pigeonhole me.

It’s clear that Spotify (and Apple Music) have better support. The former has a much stronger ecosystem with more playlists from both users and publishers, and a stronger community.

It particularly pains me that there isn’t some kind of cross-platform playlist format because YouTube Music (or Google Play Music) is rarely included in published playlists. During lockdown I have enjoyed the playlists created by artists on the Invada Records site, but they’re exclusively in Spotify. To shift them across to a service I can use, I either had to hand build them myself, or find a service that could “translate” them. Most of the latter seem to be subscription offers that get close to the cost of just paying for two streaming services at the same time! Meanwhile The Quietus has just launched its subscription packages, tiers of which come with Spotify and Apple Music playlists. No use for me then unless I want to hand rebuild them.

I would also note that Amazon Music is fast becoming the #2 music streaming platform – although that’s complicated with the “lite” Amazon Music Prime which as the name suggests, comes with Prime membership and provides access to 2m songs. Then there’s Amazon Music Unlimited which offers a full 60m song catalogue. Finally Amazon also offer Amazon Music Unlimited HD with higher quality encodes for a premium price.

Again, it’s rare to see an Amazon Music playlist shared in the wild. Or a Deezer one. Or a Tidal one.

I don’t really blame companies for picking the biggest streamers, but I would note that as someone who prizes music ownership as opposed to monthly licencing I’m definitely in the “spends-more-than-average-on-music” camp.

I absolutely cannot recommend YouTube Music right now. It serves my particular purpose better than most of the other services however.

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